Family Album - Issue 45

Purcellville, Va., Jennifer and Peter Reynolds
When we built our bungalow in 1998, we were largely uneducated about the Arts and Crafts movement, but were moving from the Del Rey neighborhood in Alexandria and wanted to find a similar house. The interior moves away from a traditional bungalow design with an open floor plan and wall of windows that make it seem like you are sitting in the woods. It has a two-story stone fireplace and much wood inside and out. A favorite feature of this house is that the kitchen, eating area and great room are all one space so your entire family can enjoy time together.

Big Lake, Minn., Phil and Suzanne Hagen
My husband built our family a Craftsman-style home in a rural suburb of the Twin Cities. This was quite a change, but we’ve found it suits us. The theme of the porch railing is carried throughout the interior of the house. The main colors-subtle browns, tans and greens-were chosen to bring the outside in, Arts and Crafts style. We have a beautiful lot on the St. Francis River, and the surroundings match the house quite well.

Calgary, Alberta, Jude Polsky and Phil Hoffman
We bought and began renovating our 1915 bungalow in 1999. One of a string of identical, cottage-size workers’ houses on our block, we opted for a historic renovation on the outside and a modern interior featuring industrial touches and a vaulted ceiling. We removed asbestos tiles to expose the original cedar shingle exterior. Also note the dentil-block detail, which was common in both commercial and residential designs of the time. At 780 square feet, our house is tiny but full of charm and character.

Harrisburg, Penn., Edward Fox
This is my first home, a 1929 bungalow in Penbrook, a small borough just outside the Harrisburg city limits. I had a hard time pinning down what style it is, but many of your online readers suggest that it looks largely Colonial Revival. This summer I finished liberating my front porch enclosure from its aluminum siding. Next I’d like to replace the aluminum windows and return the kitchen and bath to period appropriate looks. An article in Issue No. 35 convinced me to track down the family of my home’s original owners; now my next-door neighbor wants to do the same. The passion for these charming little houses is contagious!

Byron, Ill., Greg and Christine Stark
After living in a ranch-style house for 20 years, we decided to try a bungalow. Designed by my wife, Christine, and modeled after a “Pomona” kit home, after four years of construction and my wife’s broken back, we finally finished our dream house. We did all of the construction with some help from family members, and used salvage items such as light fixtures, sinks, built-in bookcases, a newel post and hardware. We made our trim following dimensions from the Curtis Millwork Book 1914; our goal was to make it look old.

Portland, Ore., Karen Morris
Five years ago when I bought my 1909 bungalow, it was covered in asphalt “brick” siding. I have resided in cedar, replaced the roof and changed three windows from metal to wood. Although my one-bedroom bungalow, at just over 700 square feet, is tiny, it lives big, thanks to a sunporch adjoining the living room, a formal dining room and a windowed breakfast nook. It has oak and fir floors, cove moldings and original kitchen cupboards with glass doors. My next project is a bathroom remodel, complete with claw-foot tub and pedestal sink.

Chicago, Ill., Odessa White-Junious
I bought my 1930 Chicago brick bungalow in 2002. It has checkerboard face brick and supports for a missing window box on the front facade, and the interior woodwork is in beautiful mint condition. It is a story and a half, with four bedrooms. There is a bathroom addition in the basement, a wood-sided add-on at the rear and a hip-roof garage along the back alley.

Round Top, Texas, Russell Miller
We dreamed of a bungalow home for our rural acreage and found a late-1920s example in a nearby town and had it moved some 15 miles. It was expanded in the early ’30s and there were some minor ’50s updates to the bath and kitchen, but we started with a structure that still contained its original details. The house features longleaf pine floors and trim throughout, and is perfect for the Craftsman furnishings we’ve collected over the past 20 years. Landscaping with a focus on native plants occupies our time these days.

Bethlehem, N.H., Len and Joan Reed

The Abbott Cottage was built in 1918, with no expense spared, as a wedding present for Woolworth heiress Florence Ivie when she married Karl Abbott, a local boy who went on to success as a hotelier. We have lived in this beauty for 30 years and hope to downsize after four children and nine grandchildren have enjoyed it. It is a Registered Bungalow. We wonder whether there is another this far north in New England.

Clearwater, Fla., Brian and Juli Halifax

We purchased this 1920 bungalow from the granddaughter of the original owner, Ross Norton. The home is terracotta block with a stucco exterior. The floors are original heart pine, some boards spanning up to 20 feet. The windows and doors are also original. So far, we have restored one downstairs bathroom, installing a refurbished claw tub from 1926 and a newer pedestal sink with matching toilet.

Long Beach, N.J., Mike Bilby

The Lucky Penny House sits 200 feet from the beach on an island off the coast of southern New Jersey. It was built circa 1906 from longleaf yellow pine and cedar. The kitchen has a potbellied iron stove, and a hatch in the floor opens to what was once the root cellar before storm surges filled it with fine white sand. The varnished pine wainscoting glows when a fire is going in the brick fireplace in the living room. We relax in the swing on the broad front porch and greet our neighbors as they return from the surf. Paradise!

Purcellville, Va., Anastasia Sowers and Jeff Charron

Our house was originally an old sharecropper’s home. When we bought it, it had one bathroom, about 850 square feet, and a dirt-floor basement that was home to a few blacksnakes in the wintertime. In remodeling it to give it a Craftsman/cottage-style look we installed a pitched roof, bumped out the front porch, added corbels and had a stonemason construct pillars. We’re now remodeling the kitchen in Craftsman style with a modern touch.

Milwaukee, Wis., Carol and Tim Buczak

Our “Milwaukee” bungalow was built in 1928. A year later, at a cost of $1,500, it was expanded and converted into a duplex. When we bought it in 2001, the original light sconces, one bathroom floor, and the stained-glass foyer window, piano windows and doors on each side of the downstairs fireplace were all intact. Since then, we have been getting rid of the 1960s–70s “updates” and turning back the hands of time. The best thing we did was remove the wide white metal siding and restore the original clapboards underneath.

Skokie, Ill., Mark Penning and Katie Hollenberg

We are only the second family to live in this 1925 “square-bay” Chicago bungalow. We bought it from the daughters of Fred and Emma Fullhard, who built it when this part of Chicagoland was nothing but open farmland. Mr. Fullhard used face brick on the entire house—unusual because most Chicago bungalows have common brick on the sides and back. The original stained-glass windows with a Prairie tulip motif are intact, as are the built-in bookcases and the original oak crown moldings, trim and baseboards.

Milford, Conn., Edgar Brannon
Our home, affectionately known as the Nutmeg House, is in Milford’s Historic District. Built in 1930 by a local builder using a typical plan for an American foursquare, the house had many lives before we bought it in 2000, when it had been completely re-sided with vinyl and many of the original trim details had been removed. We set out to painstakingly restore it to its early condition. We also added period awnings and spruced it up with new stone steps to match the existing porch piers.

Pleasant Garden, N.C., Charles and Martha Kirkman
We moved into this bungalow, built on a Piedmont tobacco farm in 1931 by Charles’s father, in 2006, after completing a comprehensive restoration and an expansion of living space at the rear. We are the third generation of the family to own the farm. The restoration, done by a local company and master carpenter, retained the character of the house inside and out, thanks to help from articles in American Bungalow. This has become the perfect place for our family heirlooms and our collection of antiques.